{"title":"REGA","description":"\u003cp\u003e\u003cstrong\u003eREGA: Precision Turntables \u0026amp; Timeless Craftsmanship\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRega has been a pioneer in the world of high-fidelity audio since 1973, renowned for their precision-engineered turntables and innovative audio solutions. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCrafted in the UK, Rega products deliver unmatched clarity, detail, and warmth, offering music lovers an authentic and immersive listening experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom iconic turntables like the Planar series to high-performance cartridges and amplifiers, Rega is a brand dedicated to bringing your vinyl collection to life. Explore the Rega collection at Audio Two and rediscover the magic of music.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"rega-planar-3-rs-turntable-a-new-chapter-in-vinyl-excellence","title":"Rega Planar 3 RS Edition Turntable","description":"\u003cp\u003eHear voices with more body and instruments with more room around them, without making record playing more complicated.\u003c\/p\u003e \u003ch3\u003eAn upgrade should change more than the finish\u003c\/h3\u003e \u003cp\u003eMoving up from a simpler record player should bring out more of the texture in a voice and make larger recordings feel less crowded. A different finish or a longer feature list doesn't tell you how much of that you will hear. You also need to know whether the cartridge and power supply are included or will be extra purchases.\u003c\/p\u003e \u003ch3\u003eA better deck, not just a better cartridge\u003c\/h3\u003e \u003cp\u003eWe chose the Rega Planar 3 RS Edition because it improves the deck as well as the cartridge. You get the Nd5 factory fitted, a Neo Mk2 supply matched to the individual motor, a Reference EBLT belt and an aluminium-skinned HPL plinth. You hear more body in voices and more space between instruments, especially when several are playing at once.\u003c\/p\u003e \u003cp\u003eA standard Planar 3 can also be ordered with the Nd5. If you're comparing those two versions, the cartridge is the same; the RS's plinth, belt and matched Neo supply are what change.\u003c\/p\u003e \u003cp\u003eOn a living-room sideboard, leave room for the Neo supply as well as the turntable. Keep the deck on a level, rigid surface away from the speakers, and put the Neo as far from the turntable as its cable allows to reduce the chance of hum pickup. Keep its power and speed buttons within easy reach.\u003c\/p\u003e \u003cp\u003eThe Neo is a motor power supply, not a phono preamplifier. Connect the RS's RCA leads to an MM phono input, or to an external MM phono stage before a line input. The cartridge is factory fitted, but the arm still needs to be balanced and its tracking force set before the first record.\u003c\/p\u003e \u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e \u003ch4\u003eGive voices and instruments more body\u003c\/h4\u003e \u003cp\u003eListen to an acoustic guitar and you should hear the wooden body as well as the strings. With a voice, listen for its tone and the small changes in phrasing, not just whether the words are clear. The Nd5 cartridge and RB330 arm help bring out those details.\u003c\/p\u003e \u003ch4\u003eHear the space between instruments\u003c\/h4\u003e \u003cp\u003eThe brushed finish is an aluminium skin over HPL, not a solid aluminium chassis. The HPL and bracing make the plinth more rigid without adding much weight. That helps keep the singer and instruments separate when the music gets busy, so you can follow each part.\u003c\/p\u003e \u003ch4\u003eChange speed without lifting the platter\u003c\/h4\u003e \u003cp\u003eThe Neo Mk2 switches between 33⅓ and 45 rpm at a button press, so you don't remove the platter and reposition the belt. Rega matches the Neo to the individual motor to keep vibration down and the platter turning steadily. That matters to a sustained piano note as well as the timing of a bass line. You still lower and lift the arm yourself; the speed button doesn't make this an automatic turntable.\u003c\/p\u003e \u003ch3\u003eHow it compares with the standard P3\u003c\/h3\u003e \u003cp\u003eWhat Hi-Fi? compared the RS directly with the Planar 3\/Nd3 and heard fuller voices, more detail and a wider sense of space. The reviewers also fitted the standard deck with an Nd5, Neo supply and upgraded belt, but still preferred the RS for its scale, precision and sense of space.\u003c\/p\u003e \u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e \u003cp\u003eIf you're looking at a P3 with the Nd5 and planning to add a Neo, we would put the RS beside it before you decide. The reason to choose it is the sound, not just the finish or the speed button. We would check your phono stage and where the turntable will sit, because both can affect how much of that improvement you hear. If you compare it with the P6, compare prices with a cartridge fitted rather than the P6's no-cartridge price.\u003c\/p\u003e \u003ch3\u003eTech You Can Hear\u003c\/h3\u003e \u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eMore texture in voices and acoustic instruments\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eFactory-fitted Nd5 moving-magnet cartridge with a nude elliptical diamond stylus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eIndividual parts stay easier to follow as a recording gets busier\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRB330 tonearm with low-friction, high-precision bearings\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eA clearer sense of space around instruments\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eAluminium-skinned HPL plinth and bracing between the arm and main bearing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSustained notes sound steady rather than wavering\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eIndividually matched motor circuit, Neo Mk2 supply and Reference EBLT belt\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSwitch between 33⅓ and 45 rpm without removing the platter\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eElectronic speed selection through the included Neo Mk2 supply\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch3\u003eTechnical Highlights\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eDrive and speeds:\u003c\/strong\u003e Belt drive, manual arm operation, 33⅓ and 45 rpm with electronic speed selection.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCartridge:\u003c\/strong\u003e Factory-fitted Rega Nd5 moving magnet; nude elliptical diamond, 5–6 mV nominal output and 1.75 g tracking force.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTonearm and connection:\u003c\/strong\u003e Rega RB330 with RCA phono leads; requires an MM phono input or separate MM phono stage.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eMotor and supply:\u003c\/strong\u003e Hand-tuned 24 V motor, custom-matched Neo Mk2 supply and Reference EBLT belt included.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePlinth and finish:\u003c\/strong\u003e Aluminium-skinned HPL laminate with double bracing; dark brushed-metal finish with gloss-black edges.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePlatter and cover:\u003c\/strong\u003e 12 mm polished-edge Opti-White glass platter; smoked dust cover included.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e Turntable measures 447 mm W × 117 mm H × 360 mm D with the lid closed; 6.0 kg, with the Neo supply separate.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e \u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":47167049302268,"sku":"RG-P3RS","price":2499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image12_683ad01d-c10c-4531-bf79-73e169a9b381.png?v=1757443924"},{"product_id":"rega-planar-6-turntable-precision-redefined-for-vinyl-enthusiasts","title":"Rega Planar 6 Turntable","description":"\u003cp\u003eHear more of the piano's tone, the weight of the bass and the small changes in a singer's voice.\u003c\/p\u003e \u003ch3\u003eHear the quieter parts without losing the bass line\u003c\/h3\u003e \u003cp\u003eSometimes a turntable sounds clear until the recording gets busy. Then the bass starts to cover the piano, or a quieter instrument becomes hard to follow. Moving up should help you hear those parts together, not just make the sound brighter.\u003c\/p\u003e \u003ch3\u003eMore to hear from the records you already own\u003c\/h3\u003e \u003cp\u003eWe chose the Rega Planar 6 because it keeps the bass, voice and quieter instruments easy to follow at the same time. Its foam-core plinth, machined aluminium sub-platter and dual-layer glass platter are a change from the construction used in the P3 models, not simply a new cartridge fitted to the same deck.\u003c\/p\u003e \u003cp\u003eThe P3 RS and P6 both use the RB330 arm and come with a Neo supply. With the P6, you are paying for changes to the deck itself, not another control or a longer list of features.\u003c\/p\u003e \u003cp\u003eYou can choose an Nd5, Nd7 or Ania Pro cartridge, or order it without a cartridge if you already have one you want to keep. We would check its fit and condition before moving it over.\u003c\/p\u003e \u003cp\u003eTell us which amplifier or phono stage you have before you choose the cartridge. The Nd5 and Nd7 are moving-magnet cartridges and suit an MM phono input. The Ania Pro is a low-output moving-coil cartridge and needs a suitable MC phono stage. The included Neo powers the motor; it doesn't replace the phono stage.\u003c\/p\u003e \u003cp\u003eGive the deck a rigid, level shelf or stand, and keep the speakers on a separate surface. Leave space for the Neo supply too, with its controls within reach and the box as far from the turntable as its cable allows. That last point helps reduce the chance of the cartridge picking up hum.\u003c\/p\u003e \u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e \u003ch4\u003eBass with weight and a clear stop\u003c\/h4\u003e \u003cp\u003eThe P6 is lighter than the P3 RS, and the foam-core plinth is a big part of its design. Rega uses stiff skins and bracing to support the arm and bearing without a heavy base. You should still hear weight in the bass, but with the pitch and end of each note easy to follow.\u003c\/p\u003e \u003ch4\u003eKeep a piano note steady as it fades\u003c\/h4\u003e \u003cp\u003eListen to a held piano note: its pitch should stay steady as it fades. The P6 combines a motor matched to its Neo supply with a machined aluminium sub-platter and dual-layer glass platter to keep rotation steady. You also get electronic speed selection, so changing between 33⅓ and 45 rpm doesn't mean lifting the platter and moving the belt.\u003c\/p\u003e \u003ch4\u003eChoose the cartridge for the sound, not just the label\u003c\/h4\u003e \u003cp\u003eThe Nd5 is the starting cartridge package, with a nude elliptical stylus and a moving-magnet output. The Nd7's fine-line stylus can follow smaller changes in the groove, giving you a way to hear more detail while keeping an MM phono stage. The Ania Pro is the next comparison for finer texture and separation, using a Vital-profile stylus and a low-output moving-coil generator. It needs a suitable MC stage; we would check the gain and loading before recommending that package.\u003c\/p\u003e \u003ch3\u003eWhat the current Nd7 review found\u003c\/h3\u003e \u003cp\u003eIn its updated review of the P6\/Nd7, What Hi-Fi? found that bass, piano and voice stayed clear without one overpowering the others. The review also stressed matching the amplifier and speakers carefully, and giving the deck a rigid, level support.\u003c\/p\u003e \u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e \u003cp\u003eThe P6 with Nd7 is the combination we would put on the shortlist when you want to hear more from your records and already have a good MM phono stage. It lets you take advantage of the finer stylus without making a move to MC part of the purchase. With a capable MC stage, we would also compare the Ania Pro for what it adds to voices, instrumental texture and separation. If you're also considering the P3 RS, a P6\/Nd5 comparison keeps the cartridge the same and lets you hear the difference between the decks.\u003c\/p\u003e \u003ch3\u003eTech You Can Hear\u003c\/h3\u003e \u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eQuieter instruments remain easier to follow\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRigid Tancast 8 foam-core plinth with HPL skins and bracing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eBass notes have a clear start, pitch and stop\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRigid bearing support and precision-machined aluminium sub-platter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSustained piano notes keep a steady pitch\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eIndividually matched 24 V motor and Neo supply, Reference EBLT belt and dual-layer glass platter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eMore groove detail while keeping an MM phono connection\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eOptional Nd7 cartridge with a fine-line diamond stylus\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eChange between 33⅓ and 45 rpm without removing the platter\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eElectronic speed selection through the included Neo supply\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch3\u003eTechnical Highlights\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eDrive and speeds:\u003c\/strong\u003e Belt drive with manual arm operation; 24 V motor, custom-matched Neo Mk2 supply and Reference EBLT belt, with electronic 33⅓\/45 rpm selection.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e Rega RB330 with RCA phono leads; requires an appropriate external or amplifier-integrated phono stage.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCartridge options:\u003c\/strong\u003e No cartridge; Nd5 or Nd7 MM, each with 5–6 mV output and 1.75 g tracking force; Ania Pro MC with 0.35 mV output, 1.75–2.0 g tracking range and 100 Ω recommended load.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Tancast 8 polyurethane foam-core plinth with HPL skins and double bracing; single-piece machined aluminium sub-platter.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePlatter:\u003c\/strong\u003e 16 mm dual-layer float-glass platter.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFinishes and covers:\u003c\/strong\u003e Matt Polaris Grey with smoked cover, or Matt White with clear cover.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e Turntable measures 447 mm W × 120 mm H × 360 mm D with the lid closed; 5.2 kg, with the Neo supply separate.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e \u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Black with ND5","offer_id":47167578996988,"sku":"RG-P6-ND5B","price":2999.0,"currency_code":"CAD","in_stock":true},{"title":"Black with ND7","offer_id":47167579029756,"sku":"RG-P6-ND7B","price":3299.0,"currency_code":"CAD","in_stock":true},{"title":"Black with Ania Pro","offer_id":47167579062524,"sku":"TT-PL6-ANIA-PRO-USA","price":4199.0,"currency_code":"CAD","in_stock":true},{"title":"White with ND5","offer_id":47167579095292,"sku":"RG-P6-ND5W","price":2999.0,"currency_code":"CAD","in_stock":true},{"title":"White with ND7","offer_id":47167579128060,"sku":"RG-P6-ND7W","price":3299.0,"currency_code":"CAD","in_stock":true},{"title":"White with Ania Pro","offer_id":47167579160828,"sku":"TT-PL6-ANI-PRO-W-USA","price":4199.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ No Cartridge","offer_id":67843674505468,"sku":"TT-PL6-BLACK-USA","price":2599.0,"currency_code":"CAD","in_stock":true},{"title":"White \/ No Cartridge","offer_id":67843674538236,"sku":"TT-PL6-WHITE-USA","price":2599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image22_f1b61f91-6265-435e-a0ab-c14a6fdd91e5.jpg?v=1757444113"},{"product_id":"rega-planar-3-turntable-award-winning-performance-redefined","title":"Rega Planar 3 Turntable","description":"\u003cp\u003eHear more expression in a voice and more shape in a bass line, from a turntable that fits your living room.\u003c\/p\u003e \u003ch3\u003eWhen a busy record becomes hard to follow\u003c\/h3\u003e \u003cp\u003eOn a busy recording, bass notes can blur together and the singer can become harder to follow. A better turntable should help you hear those parts clearly without taking the drive out of the music. It also needs a sensible place to sit, not a complete rearrangement of the room.\u003c\/p\u003e \u003ch3\u003eA clear starting point for better vinyl playback\u003c\/h3\u003e \u003cp\u003eWe chose the Rega Planar 3 because its RB330 tonearm, rigid plinth and glass platter give a good cartridge the support it needs. That helps voices and instruments stay separate without losing the beat when a recording gets busy.\u003c\/p\u003e \u003cp\u003eYou can order it with an Nd3 or Nd5 moving-magnet cartridge, or without a cartridge if you already have one you want to use. The turntable itself is the same across those options. The cartridge choice is about how much information you want to retrieve from the groove and what the rest of your system can reveal.\u003c\/p\u003e \u003cp\u003eThe Planar 3 has no built-in phono stage. With an Nd3 or Nd5 fitted, connect it to a suitable moving-magnet phono input on your amplifier, or use an external MM phono stage between the turntable and a line input. If you are keeping an existing cartridge, we will check its fit and phono-stage requirements rather than assume they are the same.\u003c\/p\u003e \u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e \u003ch4\u003eFollow the music when the arrangement gets busy\u003c\/h4\u003e \u003cp\u003eListen to a record with a bass guitar, drums and a voice playing together. You should be able to follow the bass line without losing the words or the changes in the drummer's playing. The RB330's low-friction bearings and the bracing between the arm and main bearing are there to help the cartridge read the groove without adding movement of their own.\u003c\/p\u003e \u003ch4\u003eChoose the cartridge around the system\u003c\/h4\u003e \u003cp\u003eThe Nd3 is a sensible starting point when you are building a system around the turntable. The Nd5 uses a nude elliptical diamond rather than the Nd3's bonded elliptical stylus, and it is the option we would compare when the amplifier, speakers and phono stage can show the extra detail. Listen to a familiar voice and to how clearly instruments stay separate as the arrangement gets fuller. That tells you more than choosing by the cartridge name alone.\u003c\/p\u003e \u003ch4\u003eKeep footfalls out of the music\u003c\/h4\u003e \u003cp\u003eThe Planar 3 can sit on a sideboard, but it should not share that surface with your speakers. Use a level, rigid support away from the speakers, and allow room for the lid to open and the cables to leave the rear. If a suspended floor moves when someone walks past, a suitable wall bracket may be a better starting point than a heavier piece of furniture.\u003c\/p\u003e \u003ch3\u003eWhat the current Nd3 review tells us\u003c\/h3\u003e \u003cp\u003eWhat Hi-Fi? found that the Planar 3\/Nd3 combination improved vocal texture, bass definition, dynamics and stereo focus over the earlier Elys 2 package. Its review also makes two useful ownership points: placement matters, and changing speed is manual unless you add the optional Neo power supply.\u003c\/p\u003e \u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e \u003cp\u003eWe would start with the Planar 3 when you want to hear more from your records without replacing the amplifier and speakers you already like. The Nd3 gives you a straightforward package to build around; the Nd5 deserves a comparison when the rest of the system is already capable of showing finer detail. We would also look at the phono stage and where the turntable will sit before spending the whole budget on the cartridge. If electronic speed switching is important, compare the Planar 3 RS before adding a Neo supply separately. The standard Planar 3 does not include one.\u003c\/p\u003e \u003ch3\u003eTech You Can Hear\u003c\/h3\u003e \u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eVoices and instruments remain easier to follow\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRB330 tonearm with low-friction, high-precision bearings\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eNotes sound cleaner, with less added coloration\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eLightweight plinth with bracing between the tonearm and main bearing\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSustained notes keep their shape as the record turns\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003e24 V motor, Advanced EBLT belt and 12 mm glass platter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eChange speed without lifting the platter, with the optional upgrade\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eOptional Neo power supply adds electronic speed selection; sold separately\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch3\u003eTechnical Highlights\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eDrive and speeds:\u003c\/strong\u003e Fully manual belt drive; 33⅓ and 45 rpm, with manual belt repositioning as standard.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e Hand-assembled Rega RB330 with RCA phono output.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCartridge options:\u003c\/strong\u003e No cartridge, Nd3 bonded elliptical MM, or Nd5 nude elliptical MM; both Nd cartridges have 5–6 mV nominal output and 1.75 g recommended tracking force.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eMotor and belt:\u003c\/strong\u003e 24 V low-noise motor and Advanced EBLT drive belt; compatible with the optional Neo power supply.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePlatter and cover:\u003c\/strong\u003e 12 mm polished-edge Opti-White glass platter; clear dust cover included.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFinishes:\u003c\/strong\u003e Gloss Black, Gloss White, Gloss Red and Light Oak Effect.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 447 mm W × 117 mm H × 360 mm D with the lid closed; 6.0 kg.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e \u003cp\u003eAudio Two ships across Canada. If you don't have access to a proper high-end dealer in your city, this is your way in: real expertise from people who've heard the system, matched the electronics, and can guide you through a decision this size.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Black with ND3","offer_id":47167607963900,"sku":"RG-P3-ND3B","price":1899.0,"currency_code":"CAD","in_stock":true},{"title":"Black with ND5","offer_id":47167607996668,"sku":"RG-P3-ND5B","price":2199.0,"currency_code":"CAD","in_stock":true},{"title":"White with ND3","offer_id":47167608062204,"sku":"RG-P3-ND3W","price":1899.0,"currency_code":"CAD","in_stock":true},{"title":"White with ND5","offer_id":47167608094972,"sku":"RG-P3-ND5W","price":2199.0,"currency_code":"CAD","in_stock":true},{"title":"Red with ND3","offer_id":47167613993212,"sku":"RG-P3-ND3R","price":1899.0,"currency_code":"CAD","in_stock":true},{"title":"Red with ND5","offer_id":47167614025980,"sku":"RG-P3-ND5R","price":2199.0,"currency_code":"CAD","in_stock":true},{"title":"Oak with ND3","offer_id":47167614058748,"sku":"RG-P3-ND3O","price":1899.0,"currency_code":"CAD","in_stock":true},{"title":"Oak with ND5","offer_id":47167614091516,"sku":"RG-P3-ND5O","price":2199.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ No Cartridge","offer_id":67843648946428,"sku":"TT-PL3-BLACK-USA","price":1499.0,"currency_code":"CAD","in_stock":true},{"title":"Oak \/ No Cartridge","offer_id":67843648979196,"sku":"TT-PL3-OAK-USA","price":1499.0,"currency_code":"CAD","in_stock":true},{"title":"Red \/ No Cartridge","offer_id":67843649011964,"sku":"TT-PL3-RED-USA","price":1499.0,"currency_code":"CAD","in_stock":true},{"title":"White \/ No Cartridge","offer_id":67843649044732,"sku":"TT-PL3-WHITE-USA","price":1499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image18_f2615a47-d60f-49ab-98ca-9935faf25c35.jpg?v=1757444031"},{"product_id":"rega-planar-8-turntable-inspired-by-perfection-built-for-performance","title":"Rega Planar 8 Turntable","description":"\u003cp\u003eHear the whole band spread out in front of you, with the singer and individual instruments easy to place.\u003c\/p\u003e \u003ch3\u003eGive the instruments room when the music gets busy\u003c\/h3\u003e \u003cp\u003eOn a busy recording, the instruments can start to bunch up around the singer. You can hear the music getting louder, but it becomes harder to follow what each player is doing. The next step should give those instruments more room without losing the pace of the song.\u003c\/p\u003e \u003ch3\u003eA different deck and arm, not just another cartridge\u003c\/h3\u003e \u003cp\u003eWe chose the Rega Planar 8 because it gives you a clearer sense of where the musicians are and what each one is playing. Compared with the standard P6, the changes include the RB880 arm, a different main bearing assembly and a triple-layer platter, all built around a smaller skeletal plinth.\u003c\/p\u003e \u003cp\u003eYou can order it with Nd7, Nd9, Ania Pro or Apheta 3, or without a cartridge if you already have one you want to use. The Nd7 and Nd9 are moving-magnet options; Ania Pro and Apheta 3 are low-output moving coil. We would check your amplifier or phono stage before recommending a package, because the two cartridge types need different phono settings.\u003c\/p\u003e \u003cp\u003eThe Neo supply powers the motor and changes the speed. It is not a phono stage, so you still need the right phono input on your amplifier or a separate phono stage before a line input.\u003c\/p\u003e \u003cp\u003eThe plinth is smaller than the P6's, but the separate Neo still needs its own space. The cover lifts off rather than opening on hinges, so give it a safe place to sit while you play a record. Use a rigid, level support away from your speakers, and keep the Neo as far from the cartridge as its lead allows.\u003c\/p\u003e \u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e \u003ch4\u003eHear where the players are\u003c\/h4\u003e \u003cp\u003eListen to the singer in the centre, then to the guitar or cymbals to either side. Those positions should stay clear as the rest of the band comes in. The RB880 arm uses a more rigid bearing assembly than the RB330 on the P6, so the cartridge can follow the groove with less unwanted movement at the bearings.\u003c\/p\u003e \u003ch4\u003eKeep the bass moving, not just make it bigger\u003c\/h4\u003e \u003cp\u003eThe triple-layer platter puts more of its weight towards the outer edge to help keep the record turning steadily. Rega keeps the rest of the deck light and rigid rather than making the whole base heavy. With a bass guitar, listen for the pitch of each note and how it stops, not just the amount of bass in the room.\u003c\/p\u003e \u003ch4\u003eGet more detail without choosing by cartridge type\u003c\/h4\u003e \u003cp\u003eThe Nd7 is the starting cartridge package, with a fine-line stylus and an MM output. The Nd9 keeps that MM connection but uses a light, stiff boron cantilever, the small rod that carries the stylus, to pass along finer movements from the groove. Ania Pro is the starting MC option, with a Vital-profile stylus. The Apheta 3 moves to a fine-line stylus and a single-piece aluminium body; we would listen for the extra detail it brings to voices and acoustic instruments.\u003c\/p\u003e \u003ch3\u003eWhat the P8's reviews tell us\u003c\/h3\u003e \u003cp\u003eWhat Hi-Fi? tested the P8 with the earlier Apheta 2 cartridge and praised its handling of changes from quiet to loud, clear instrument placement and bass that stayed easy to follow. It also found the music kept its drive when the arrangement became complicated.\u003c\/p\u003e \u003cp\u003eAt Analog Planet, Michael Fremer tested this P8 design with the original Ania and several other cartridges. He heard the sound of the room in the recording and found that the deck let him hear differences between cartridges and phono stages, rather than making them all sound alike.\u003c\/p\u003e \u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e \u003cp\u003eWe would start with the P8\/Nd9 if you already have a good MM phono stage and want to keep it. With a suitable MC stage, we would compare Ania Pro and Apheta 3, listening for how much more of the voice and instruments the Apheta 3 brings through. We would also sort out the turntable's support and power-supply position before judging any of those cartridges. If you're comparing the P8 with the P6, use the Nd7 or Ania Pro on both where possible so you can hear what the deck and arm change.\u003c\/p\u003e \u003ch3\u003eTech You Can Hear\u003c\/h3\u003e \u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eVoices and instruments stay easier to place\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRB880 arm with a rigid, closely matched bearing assembly\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eBass notes remain easy to follow\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eTriple-layer glass platter with more of its mass concentrated towards the outer edge\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSustained notes keep a steady pitch\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eCustom-matched Neo Mk2, 24 V motor and Reference EBLT drive belts\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eFiner groove detail while keeping an MM phono stage\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eOptional Nd9 cartridge with a boron cantilever and fine-line diamond\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eChange between 33⅓ and 45 rpm without removing the platter\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eElectronic speed selection through the included Neo supply\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch3\u003eTechnical Highlights\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eDrive and speeds:\u003c\/strong\u003e Belt drive with manual arm operation; 24 V motor, custom-matched Neo Mk2 supply and Reference EBLT belts, with electronic 33⅓\/45 rpm selection.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e Rega RB880 with low-capacitance phono cable and locking RCA plugs.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eConstruction and platter:\u003c\/strong\u003e Skeletal Tancast 8 foam-core\/HPL plinth with double bracing; machined aluminium sub-platter and 18 mm triple-layer glass platter.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eMM cartridge options:\u003c\/strong\u003e Nd7 or Nd9, each with 5–6 mV nominal output and 1.75 g tracking force; no-cartridge option also available.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eMC cartridge options:\u003c\/strong\u003e Ania Pro or Apheta 3, each with 0.35 mV nominal output and 100 Ω recommended loading; tracking ranges are 1.75–2.0 g for Ania Pro and 1.9–2.0 g for Apheta 3.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFinishes and cover:\u003c\/strong\u003e Matt Polaris Grey with smoked cover, or Matt White with clear cover; single-piece lift-off cover rather than a hinged lid.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e Deck with cover fitted: 420 mm W × 125 mm H × 315 mm D, 4.2 kg; separate Neo: 180 mm W × 50 mm H × 155 mm D, 0.6 kg.\u003c\/li\u003e \u003c\/ul\u003e \u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e \u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Matt Polaris Grey with ND7","offer_id":47174819545340,"sku":"RG-P8B-ND7","price":5499.0,"currency_code":"CAD","in_stock":true},{"title":"Matt Polaris Grey with Ania Pro","offer_id":47174819578108,"sku":"TT-PL8-ANIA-PRO-USA","price":6299.0,"currency_code":"CAD","in_stock":true},{"title":"Matt Polaris Grey with Apheta 3","offer_id":47174819610876,"sku":"RG-P8B-AP3","price":6999.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White with ND7","offer_id":47174819643644,"sku":"RG-P8W-ND7","price":5499.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White with Ania Pro","offer_id":47174819676412,"sku":"TT-PL8-ANI-PRO-W-USA","price":6299.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White with Apheta 3","offer_id":47174820856060,"sku":"RG-P8W-AP3","price":6999.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ No Cartridge","offer_id":67843687514364,"sku":"TT-PL8-BLK-USA","price":4699.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White \/ No Cartridge","offer_id":67843687547132,"sku":"TT-PL8-WHT-USA","price":4699.0,"currency_code":"CAD","in_stock":true},{"title":"Black with ND9","offer_id":67843687579900,"sku":"TT-PL8-ND9-BLK-USA","price":5899.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White with ND9","offer_id":67843687612668,"sku":"TT-PL8-ND9-WHT-USA","price":5899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/PL8_Black_Nd7_Front_RecordPlaying_Neo_2787.jpg?v=1757443945"},{"product_id":"rega-brio-mk7-integrated-amplifier-compact-power-pure-musicality","title":"Rega Brio Mk7 Integrated Amplifier","description":"\u003cp\u003eHear the band's weight and energy, with the singer's voice and quieter instruments still clear.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eMore weight and every instrument still distinct.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA bigger drum hit should not make the bass line harder to follow or push the singer behind the band. Moving up in amplifier quality should bring more weight and control while keeping the smaller changes in voices and instruments clear. Extra inputs are useful, but they are not the reason to spend more.\u003c\/p\u003e\n\u003ch3\u003eMore than digital inputs added to a familiar amplifier\u003c\/h3\u003e\n\u003cp\u003eWe chose the Rega Brio Mk7 because it combines a firm, full-bodied presentation with the ability to keep voices and quieter instruments easy to follow. This is the seventh-generation Brio, with a reworked circuit layout and improved separation between its power stage and the more sensitive line and phono stages. That separation is intended to keep the higher-current parts of the amplifier from interfering with the small signals carrying vocal texture and quiet detail.\u003c\/p\u003e\n\u003cp\u003eIts Class AB amplifier is rated at 50 watts per channel into 8 ohms. In a suitably matched system, listen for the weight behind bass and drum hits without losing the quieter parts around them. The half-width case keeps that amplifier, an MM phono stage and a DAC together without requiring a shelf of separate components.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eGive the bass weight without blurring the notes\u003c\/h4\u003e\n\u003cp\u003ePlay a track where the bass player and kick drum overlap, then listen for the pitch and finish of the bass notes. The Mk7's appeal is a firm, substantial presentation rather than simply making the low end louder. Its redesigned Class AB circuit and power-supply arrangement support that result, but the speaker load and room still determine how much level and bass control are available.\u003c\/p\u003e\n\u003ch4\u003eKeep the singer's voice clear as the band builds\u003c\/h4\u003e\n\u003cp\u003eListen for the singer's tone and changes in strength when more instruments enter. Rega uses a second raw power supply to improve isolation between the output stage and the driver, line and phono stages, along with higher-specification MUSES op-amps in the line, DAC and phono circuits. The purpose is to keep small recorded details from being disturbed by the amplifier's higher-current work, not to make voices sound sharper through extra brightness.\u003c\/p\u003e\n\u003ch4\u003eKeep the same sense of energy from digital sources\u003c\/h4\u003e\n\u003cp\u003eThe onboard DAC lets a CD transport or compatible streamer feed the Brio through coaxial or optical S\/PDIF. What Hi-Fi? found that this digital section retained the amplifier's lively character rather than sounding like a lesser alternative to its analogue inputs. It accepts PCM up to 24-bit\/192 kHz, so you can use those sources without adding a separate DAC; network streaming itself still needs an external player.\u003c\/p\u003e\n\u003ch3\u003eWhat published listening reports found\u003c\/h3\u003e\n\u003cp\u003eWhat Hi-Fi? heard firm bass, clear voices, convincing dynamic changes and stable instrument placement from the Brio Mk7. It also praised both the MM phono stage and DAC, while noting that headphone volume could change too quickly over a small movement of the control. That is worth checking with your own headphones rather than treating the front socket as an automatic match.\u003c\/p\u003e\n\u003cp\u003eAt the 2025 Bristol show, Ed Selley's Hi-Fi+ report highlighted the Mk7 playing with a Planar 3 RS and Rega Aya speakers. His positive assessment was of that complete demonstration system, not an isolated amplifier comparison.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eWe would consider the Brio Mk7 when a compact system needs bass and drums with more substance, without giving up clear voices and the smaller details around them. Compared with the io, the decision should rest on the sound through your speakers, not simply 30 versus 50 watts or whether you need a digital socket. We would compare them at similar listening levels and pay attention to bass-note definition, vocal texture and how the music holds together as it builds. The DAC and MM stage make the Brio easier to build a system around, but speaker matching and the way you listen remain the deciding factors.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass and drums have weight without losing their individual notes\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRedesigned Class AB amplifier circuit and power-supply arrangement, rated at 50 W per channel into 8 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eVoices and quieter details remain easier to follow\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSecond raw supply improves isolation between high- and low-level stages; MUSES op-amps in the line, DAC and phono circuits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRecords play without requiring a separate MM phono box\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBuilt-in moving-magnet stage with RIAA equalisation and improved stage isolation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eA compatible digital source plays without another DAC on the shelf\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRega DAC with coaxial and optical S\/PDIF inputs supporting up to 24-bit\/192 kHz PCM\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eHeadphone listening switches the room's speakers off\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFront 3.5 mm headphone socket with automatic speaker switching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower and circuit:\u003c\/strong\u003e 50 W per channel into 8 Ω; Class AB amplification.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e Three stereo RCA line inputs and one MM phono input; phono loading 47 kΩ in parallel with 220 pF.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital inputs:\u003c\/strong\u003e One coaxial S\/PDIF and one optical Toslink; PCM up to 24-bit\/192 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e Front 3.5 mm stereo socket with automatic speaker switching.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls and standby:\u003c\/strong\u003e Mini system remote included; switchable automatic standby after approximately one hour without a signal, with 0.4 W standby consumption.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnection limits:\u003c\/strong\u003e No USB audio, HDMI ARC, Bluetooth, record output, preamp output or dedicated subwoofer output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 216 mm W × 79 mm H × 365 mm D; 4.9 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFor records, an MM cartridge connects directly to the phono input. A low-output MC cartridge needs a suitable external phono stage into a line input; a turntable already using its own phono stage should also feed a line input unless that stage is bypassed. A streamer can use the Brio's digital inputs or connect through its own DAC using RCA.\u003c\/p\u003e\n\u003cp\u003eFor a TV with optical output, select stereo PCM in the TV's sound settings. There is no HDMI ARC connection or surround-sound decoding. If you plan to add a subwoofer, we would check its connection method before assuming the Brio offers a suitable line output.\u003c\/p\u003e\n\u003cp\u003eRega recommends speakers with a nominal impedance of 6–8 Ω. Lower-impedance speakers need individual checking, especially at higher levels, rather than a blanket promise that 50 watts will drive anything. Leave at least 10 cm of ventilation space in all directions, do not stack equipment on top, and keep the amplifier away from the turntable cartridge as far as its lead reasonably allows.\u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eAudio Two ships across Canada. If you don't have access to a proper high-end dealer in your city, this is your way in: real expertise from people who've heard the system, matched the electronics, and can guide you through a decision this size.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":47276141740284,"sku":"reg-brio7","price":1599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image1_b1e30314-6fe8-42e3-af31-2a193cd0232c.jpg?v=1750778176"},{"product_id":"rega-io-integrated-amplifier-pure-musical-enjoyment-simplified","title":"Rega IO Integrated Amplifier","description":"\u003cp\u003eHear the bass line and the drummer working together, with the singer clear above them.\u003c\/p\u003e\n\u003ch3\u003eA small system should still let you follow the band\u003c\/h3\u003e\n\u003cp\u003eOn a sideboard or a small equipment shelf, an amplifier has to earn its space. You still want to follow the bass player and hear the singer clearly, rather than accept a small, thin sound because the system is compact. The important question is whether the amplifier suits your speakers and the way you listen.\u003c\/p\u003e\n\u003ch3\u003eRega's analogue approach in a smaller amplifier\u003c\/h3\u003e\n\u003cp\u003eWe chose the Rega io because it keeps Rega's direct, rhythmic presentation in a small, analogue-only amplifier. Its Brio-derived Class AB power stage uses Sanken output transistors and a linear power supply, with 30 watts per channel into 8 ohms.\u003c\/p\u003e\n\u003cp\u003eAt 180 mm wide, the io leaves room for a record player or another source without needing a full-width equipment stack. A moving-magnet phono input and two RCA line inputs cover a turntable plus a CD player or streamer with analogue outputs. There is no built-in DAC or streaming player, so a digital-only source needs an external DAC.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eHear the bass player and drummer working together\u003c\/h4\u003e\n\u003cp\u003ePlay a familiar song and listen for the start and finish of each bass note against the kick drum. The io's Brio-derived amplifier stage and linear supply support that sense of rhythm, provided the speakers and listening level are a sensible match.\u003c\/p\u003e\n\u003ch4\u003eKeep the voice and instruments clear on your records\u003c\/h4\u003e\n\u003cp\u003eWith a moving-magnet cartridge, the built-in phono stage lets you connect the turntable without adding another phono box to the shelf. That circuit supplies the gain and RIAA equalisation a cartridge needs, so the record reaches the amplifier at the correct level and tonal balance. Listen for the singer's voice and the shape of the bass line, not just whether the record plays loudly enough.\u003c\/p\u003e\n\u003ch3\u003eWhat published listening reports found\u003c\/h3\u003e\n\u003cp\u003eWhat Hi-Fi? praised the io's clear voices, punch and ability to keep a bass-led track moving. It also found that some rivals offered more space and refinement around instruments. Its recommendation rests on the io's energy and directness, not on a claim that it is the most polished amplifier at the price.\u003c\/p\u003e\n\u003cp\u003eJason Kennedy at Hi-Fi+ reviewed the io as part of Rega System One, with a Planar 1 and Kyte speakers. He found convincing bass and drums and a strong sense of the musicians playing together, while describing the complete system as leaner rather than richly weighted. Those observations belong to that whole combination, not to the amplifier in isolation.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eWe would start with the io for a compact, record-led system where clear voices and an easy-to-follow rhythm matter more than having digital connections built in. Speaker matching comes first: 30 watts can be useful power, but the speaker's sensitivity, impedance and your listening distance determine how far it goes. For a larger open room, demanding speakers or sustained high levels, we would compare it with a higher-powered amplifier rather than assume the small box can do everything. If you are also considering the Brio Mk7, listen through the same speakers at similar levels and judge the bass control, vocal texture and space between instruments, not just the extra connections.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass and drums remain easy to follow with suitably matched speakers\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBrio-derived Class AB amplifier stage, Sanken output devices and linear power supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMM records play with the gain and tonal correction they need\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBuilt-in moving-magnet phono stage with RIAA equalisation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eA turntable and two analogue sources fit into one small system\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eOne MM phono input and two RCA line inputs in a 180 mm-wide chassis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eHeadphone listening does not play through the speakers\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFront 3.5 mm socket with automatic speaker switching\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSource selection is available from the listening seat\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSupplied mini system remote with input-selection control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower and circuit:\u003c\/strong\u003e 30 W per channel into 8 Ω; Class AB output stage and linear power supply.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e One stereo RCA MM phono input and two stereo RCA line-level inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMM phono loading:\u003c\/strong\u003e 47 kΩ in parallel with 220 pF; nominal input sensitivity 2.1 mV.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e Front 3.5 mm stereo socket; inserting headphones switches off the speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio connections:\u003c\/strong\u003e Analogue-only; no built-in DAC, record output, preamp output or dedicated subwoofer output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Front volume and input selection, with mini system remote included.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 180 mm W × 68 mm H × 290 mm D; 2.9 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRega recommends speakers with a nominal impedance of 6–8 Ω. We would check lower-impedance models individually, especially for longer listening distances or louder playback. The compact case still needs air around it: allow at least 10 cm clearance in all directions, and do not stack other equipment on top or enclose it in an unventilated cabinet.\u003c\/p\u003e\n\u003cp\u003eIf your turntable already has a phono stage, use a line input unless that stage can be bypassed. A low-output moving-coil cartridge needs a suitable external phono stage connected to a line input instead. If a subwoofer is part of the plan, ask us to check the connection method rather than assume there is a subwoofer socket.\u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eAudio Two ships across Canada. If you don't have access to a proper high-end dealer in your city, this is your way in: real expertise from people who've heard the system, matched the electronics, and can guide you through a decision this size.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":48101932892412,"sku":"reg-IO","price":999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image31_df088a51-ec1c-4733-bbec-5f5f039ca655.jpg?v=1757442270"},{"product_id":"rega-aethos-integrated-amplifier","title":"Rega Aethos Integrated Amplifier","description":"\u003cp\u003eHear the music build without losing the details that drew you in.\u003c\/p\u003e\n\u003ch3\u003eMore scale should not mean less detail\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eA bigger sound should bring you closer to the music, not bury its finer parts.\u003c\/strong\u003e When a recording gets busy, the bass line should remain easy to follow, the vocals should stay distinct, and the quieter layers should still have room to breathe. It is not simply about playing louder. It is about keeping the character, energy and space of the performance intact, from a spare acoustic recording to a densely layered mix.\u003c\/p\u003e\n\u003ch3\u003eAn analogue amplifier built around the whole performance\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWe chose the Rega Aethos for its combination of drive and insight.\u003c\/strong\u003e It brings weight to the rhythm without making the small changes in a singer's voice feel secondary. Its dual-mono design pairs a fully discrete Class A FET preamp with a 125-watt-per-channel Class AB power stage. Regulated supplies for sensitive amplification and driver stages, plus four Sanken output transistors per channel, support that combination of detail and drive.\u003c\/p\u003e\n\u003cp\u003eThe Aethos is an analogue, line-level amplifier. A streamer, CD player or external DAC with RCA line outputs can connect directly. There is no built-in DAC or phono stage, so digital-only sources and turntables without a built-in phono stage need the appropriate external component.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eKeep the bass line clear when the music gets busy\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eBass should carry a tune, not just add weight.\u003c\/strong\u003e Follow the notes beneath a layered chorus, the shape of a double-bass phrase or the pulse of an electronic track. As the rest of the recording builds, listen for whether those notes stay distinct rather than becoming one broad thump. The Aethos's dual-mono power-amplifier design uses four output devices per channel, with rated output specified for both channels working together. The useful test is control through the whole passage, not simply the impact of its biggest hit.\u003c\/p\u003e\n\u003ch4\u003eHear the voice inside a complicated rhythm\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThe singer should remain expressive without the rhythm section stepping aside.\u003c\/strong\u003e Choose a track where the vocal and accompaniment are doing different things, then follow the changes in phrasing and tone while keeping hold of the beat. The discrete Class A preamp and regulated sensitive-stage supplies are designed to preserve those small signal changes before the output stage drives the speakers. The Aethos's clear, direct character makes this interplay a useful focus for an audition. It is not our choice simply to soften an already sharp system.\u003c\/p\u003e\n\u003ch4\u003eStay connected at evening volume\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTurning the music down should not make the performance lose its focus.\u003c\/strong\u003e Set the volume where you normally listen later in the evening and follow a centrally recorded voice. Listen for a stable position between the speakers and the subtle changes that make the delivery feel human. Rega uses close-tolerance components in the preamp to reduce dependence on the volume potentiometer's left\/right tracking. That addresses channel balance, helping make quiet listening a meaningful part of your audition rather than an afterthought.\u003c\/p\u003e\n\u003ch3\u003eWhat the Aethos reviews found\u003c\/h3\u003e\n\u003cp\u003eWhat Hi-Fi? praised the Aethos's orchestral authority, clear voices and ability to keep complex rhythms coherent. It described a slightly lean balance rather than added warmth, and advised care with bright or aggressive sources and speakers. It also noted warm operation and a remote volume control that could be too quick for fine adjustments.\u003c\/p\u003e\n\u003cp\u003eHi-Fi Choice's 2024 integrated-amplifier group test highlighted strong bass drive together with delicate vocals and clear organisation of busy music. Its comparison described a clean, smooth presentation, but less warmth than the valve and Class A amplifiers in that particular group.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe Aethos suits listeners who want musical weight without giving up clarity, rhythm or expression.\u003c\/strong\u003e The appeal is not tied to a particular genre. It is the ability to follow the bass, hear the phrasing and stay engaged as a recording moves from intimate to full-scale. Pair it with a source and speakers that complement its clear, direct presentation rather than expecting it to add warmth to an aggressive system.\u003c\/p\u003e\n\u003cp\u003eMoving up from the Elicit Mk5? That amplifier already borrows the Aethos's FET preamp design, so the decision deserves more than a comparison of 125 versus 105 watts. We would compare them through the same source and speakers, using music you know. Listen for bass definition, stable instrument positions and quieter details remaining clear as the music builds.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eLarge musical peaks keep their impact without burying individual bass notes\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eDual-mono power-amplifier design with four Sanken output devices per channel and 125 W into 8 Ω, both channels driven\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSmall changes in a voice remain easier to follow\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eDiscrete Class A FET preamp with regulated supplies for sensitive amplification and driver stages\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eThe singer is less likely to drift to one speaker at quiet levels\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eClose-tolerance preamp components control left\/right level and tracking with less reliance on the potentiometer\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eHeadphone listening switches the main speakers off\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eFront headphone socket with speaker switching performed by the output mute relay\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eStereo and multichannel playback can share the same front speakers\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSwitchable Direct Input bypasses the internal preamp and volume control for a compatible external volume-controlled preamp or processor\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAmplification:\u003c\/strong\u003e Dual-mono Class AB power stage; 125 W RMS per channel into 8 Ω or 156 W into 6 Ω, both channels driven.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamp and supply:\u003c\/strong\u003e Fully discrete Class A FET preamp, custom-wound toroidal transformer and regulated supplies for sensitive amplification and driver stages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e Five main stereo RCA line inputs, a separate Record input and Direct Input; no built-in DAC or phono stage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e Stereo RCA preamp output, fixed-level Record and Record Link outputs and one set of speaker terminals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e Front 6.35 mm stereo socket; inserting headphones automatically switches off the main speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls and power management:\u003c\/strong\u003e Motorised volume, input, Record and mute controls; Solaris remote includes Direct selection; physical power switch, no automatic standby.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 433 mm W × 95 mm H × 360 mm D, with depth including speaker terminals; 17.5 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaking It Work in Your System\u003c\/h3\u003e\n\u003ch4\u003eConnect the sources you enjoy\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eBuild around the right analogue connection.\u003c\/strong\u003e For records, use an external phono stage suited to your cartridge, or a turntable with a suitable built-in phono stage. For digital music, use a streamer, CD player or DAC with RCA analogue outputs. Optical, coaxial and USB audio cannot connect directly to the Aethos.\u003c\/p\u003e\n\u003cp\u003eThe separate Record input supports monitoring a recording device, while Record and Record Link outputs stay at a fixed level. The preamp output can connect to a compatible external power amplifier or powered subwoofer. If you use both headphones and a subwoofer, we will check how that combination mutes rather than assume headphone insertion silences every output.\u003c\/p\u003e\n\u003ch4\u003eIntegrate with an AV system carefully\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eDirect Input lets a compatible external preamp or AV processor control the Aethos's power amplifier.\u003c\/strong\u003e It bypasses the internal preamp and volume control. The external device must control the level. Do not connect a fixed-output CD player or DAC directly to Direct Input, because unexpectedly high playback could damage speakers or hearing.\u003c\/p\u003e\n\u003ch4\u003eAllow space and check everyday control\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eGive the amplifier room to work comfortably.\u003c\/strong\u003e Allow for its 17.5 kg weight, full-width case and rear plugs when choosing a shelf. Keep at least 10 cm of ventilation space around the amplifier, leave both side heat sinks exposed and do not stack equipment on top or close it into an unventilated cabinet. Rega specifies 4–16 Ω speaker connections but warns that sustained high levels into lower impedances can cause excess heat and thermal shutdown, so speaker matching still matters.\u003c\/p\u003e\n\u003cp\u003eDuring your audition, try the remote at your usual listening level as well. Its volume adjustment can be quick, so checking fine adjustments is part of making sure the amplifier suits everyday use.\u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe right amplifier is the one that works with your music, your speakers and your room.\u003c\/strong\u003e We can help confirm source connections, speaker matching and placement before you commit. Audio Two ships across Canada, with system advice to help you get the fit right.\u003c\/p\u003e\n\u003ch3\u003eExperience It For Yourself\u003c\/h3\u003e\n\u003cp\u003eIf you would rather trust your ears than take our word for it, we would expect nothing less. Visit us at 5910 Malden Road, LaSalle, Ontario or call 519.979.7101 to reserve your private listening session. Come in skeptical. Leave certain.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":67843259990268,"sku":"AMP-AETHOS-BLACK-USA","price":6999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image83.jpg?v=1792766724"},{"product_id":"rega-elex-mk4-integrated-amplifier","title":"Rega Elex MK4 Integrated Amplifier","description":"\u003cp\u003eHear more of the singer's tone and the space around the instruments, without turning the music up.\u003c\/p\u003e\n\u003ch3\u003eWhat do you hear at the volume you actually use?\u003c\/h3\u003e\n\u003cp\u003eWhen choosing an amplifier, it is easy to be impressed by how loudly it can play. At the level you actually use in the living room, you should still hear the texture of a voice, separate bass notes and the space around the players. That is a better test than the power rating on its own.\u003c\/p\u003e\n\u003ch3\u003eA clearer view of the recording, not just more power\u003c\/h3\u003e\n\u003cp\u003eWe chose the Rega Elex Mk4 because it makes small changes in voices and instruments easy to hear without pulling the band apart. You can follow a single piano note as it fades while still hearing how it belongs with the rest of the music.\u003c\/p\u003e\n\u003cp\u003eThe Elex Mk4 is a full-width integrated amplifier for passive speakers, with a reworked Class AB circuit rated at 72 watts per channel into 8 ohms. Rega uses a quiet multistage linear supply and isolates the digital and analogue power feeds to limit interference that could mask small recorded details.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eHear the changes in a singer's voice\u003c\/h4\u003e\n\u003cp\u003eOn a familiar vocal recording, listen for the sound of a breath and the voice getting rougher or stronger, rather than just the words. Rega's discrete amplifier circuitry and multistage linear supply are designed to preserve those small signals with little added noise. The Elex Mk4's revealing character makes those differences worth listening for, but it will also show a forward-sounding source or speaker rather than soften it.\u003c\/p\u003e\n\u003ch4\u003eHear the room around the instruments\u003c\/h4\u003e\n\u003cp\u003eAn acoustic recording should give you a sense of the room around the players, not just sharply outlined instruments. Listen to the resonance after a piano chord and the space between the performers as more instruments enter. The Elex's reworked circuit board and isolated digital\/analogue supply rails are intended to keep interference from obscuring that quieter information.\u003c\/p\u003e\n\u003ch4\u003eFollow the bass line without adding extra weight\u003c\/h4\u003e\n\u003cp\u003eThe Elex Mk4 keeps bass lines taut and easy to follow, but does not have an especially rich or warm balance. Play a busy rhythm track and listen for changing pitches while the kick drum stays distinct alongside. Its 72-watt Class AB stage provides headroom with appropriately matched speakers, but we would not choose it simply to make a lean system sound fuller.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eWe would choose the Elex Mk4 for a system where clearer vocal texture, recorded space and distinct bass notes matter more than added warmth. If the source and speakers already sound thin or forward in the room, we would address that match rather than expect the Elex to disguise it. When comparing it with the Brio Mk7, use the same speakers at similar levels and listen for the smaller changes within a voice or piano note, not simply a bigger sound. We would also compare a good external DAC through the line inputs before assuming the onboard digital section makes your existing DAC unnecessary.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSmall changes in a voice remain easier to follow\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eReworked discrete amplifier circuitry and quiet multistage linear supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eQuiet recorded space is less obscured by interference from digital circuits\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eGalvanically isolated digital and analogue supply rails\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass-note starts and stops stay clear with appropriately matched speakers\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eClass AB output stage with Sanken transistors, rated at 72 W per channel into 8 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMM records play with the gain and tonal correction they need\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBuilt-in phono stage with RIAA equalisation split into two stages to limit interaction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eHeadphone listening does not play through the main speakers\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFront headphone socket with speaker switching handled by the output mute relay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower and circuit:\u003c\/strong\u003e Class AB; 72 W per channel into 8 Ω or 90 W per channel into 6 Ω.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e Four stereo RCA line inputs and one MM phono input; phono loading 47 kΩ in parallel with 220 pF.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital inputs:\u003c\/strong\u003e One coaxial S\/PDIF and one optical Toslink; PCM up to 24-bit\/192 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeadphone output:\u003c\/strong\u003e Front 6.35 mm stereo socket; connecting headphones automatically switches off the main speakers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther outputs:\u003c\/strong\u003e Stereo RCA preamp output and fixed-level RCA record output, plus one set of speaker terminals.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls and power management:\u003c\/strong\u003e Supplied mini remote controls motorised volume, input selection and mute; physical power switch, no automatic standby.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 432 mm W × 82 mm H × 340 mm D, with depth including the speaker terminals; 11 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":67843260875004,"sku":"AMP-ELEX-MK4-USA","price":2699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image75_5041c78a-090d-4b82-8555-39fb1d51b7cd.jpg?v=1792699972"},{"product_id":"rega-elicit-mk5-integrated-amplifier","title":"Rega Elicit MK5 Integrated Amplifier","description":"\u003cp\u003eHear the band come in with force, while the singer's voice and individual bass notes stay clear.\u003c\/p\u003e\n\u003ch3\u003ePower should add impact, not hide the smaller details\u003c\/h3\u003e\n\u003cp\u003eA large drum hit should not bury the bass line or make a singer harder to follow. At the listening level you use in the living room, the system needs to handle both the loudest moments and the small changes in a voice.\u003c\/p\u003e\n\u003ch3\u003eMore drive, with attention to the signal before it reaches the speakers\u003c\/h3\u003e\n\u003cp\u003eWe chose the Rega Elicit Mk5 because it gives a full band weight and impact while keeping a singer's voice clear. It uses the discrete FET-based preamplifier design from the Aethos, together with an Alps volume potentiometer, so the design changes reach beyond the speaker-driving power stage.\u003c\/p\u003e\n\u003cp\u003eThe Class AB amplifier is rated at 105 watts per channel into 8 ohms and 162 watts per channel into 4 ohms. With appropriately matched speakers, that gives demanding passages room to build while bass notes and vocal changes remain distinct. We would judge those qualities at your normal listening level, not just by seeing how loudly the system will play.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eHear the bass note as well as the drum hit\u003c\/h4\u003e\n\u003cp\u003eOn a bass-led track, listen for the pitch and finish of each bass note while the kick drum hits alongside it. The Elicit Mk5's Class AB output stage and Sanken transistors provide the drive behind its firm, controlled presentation. The point is to hear separate notes with impact, not turn every low-frequency sound into the same heavy thump.\u003c\/p\u003e\n\u003ch4\u003eFollow the changes in a voice as the band builds\u003c\/h4\u003e\n\u003cp\u003eA singer can get louder, rougher or softer within the same line, even while the rest of the band is playing hard. The Aethos-derived FET preamp handles the small signal carrying those changes before it reaches the speaker-driving output stage. The Elicit brings voices forward clearly, but it will not necessarily soften a source or speaker that already sounds sharp.\u003c\/p\u003e\n\u003ch4\u003eHear the quieter passage, not just the crescendo\u003c\/h4\u003e\n\u003cp\u003eAfter a full-band track, try a familiar solo-piano recording and listen to the softer notes and changes in playing strength. The Elicit's character is energetic rather than laid-back, but its ability to keep quiet detail and space clear is just as important as its bass grip.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eWe would choose the Elicit Mk5 when a system needs bass grip and the force of a full band without losing the changes in a singer's voice. In a larger room or with less sensitive speakers, we would check whether its output is enough for your listening distance and level. Against the Elex Mk4, we would compare through the same speakers at similar levels and listen for control, vocal texture and the way quiet passages grow into louder ones. If the source and speakers already sound aggressive in the room, we would address that match rather than assume spending more on the amplifier will make the balance gentler.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass and drum hits keep their weight without merging into one sound\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eClass AB amplifier with Sanken output devices, rated at 105 W per channel into 8 Ω and 162 W into 4 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSmall changes in a singer's voice stay clear as the band builds\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eAethos-derived discrete FET preamplifier and Alps volume potentiometer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMM records keep their clarity without requiring a separate phono box\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBuilt-in moving-magnet phono stage with RIAA equalisation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eCompatible digital sources play without another DAC on the shelf\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eIsolated optical\/coaxial inputs, Wolfson conversion and Rega discrete line-driver circuit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003ePrivate headphone listening switches the main speakers off\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFront headphone socket with speaker switching handled by the output mute relay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAmplification:\u003c\/strong\u003e Class AB; 105 W per channel into 8 Ω, 127 W into 6 Ω and 162 W into 4 Ω.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamplifier:\u003c\/strong\u003e Aethos-derived discrete FET design with Alps motorised volume potentiometer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalogue inputs:\u003c\/strong\u003e Four main stereo RCA line inputs, one MM phono input loaded at 47 kΩ in parallel with 220 pF, plus a separate Record input and Direct Input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital inputs:\u003c\/strong\u003e One coaxial S\/PDIF and one optical Toslink; PCM up to 24-bit\/192 kHz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e Stereo RCA preamp output, fixed-level Record and Record Link outputs, one set of speaker terminals and a front 6.35 mm headphone socket with automatic main-speaker muting.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls and power management:\u003c\/strong\u003e Solaris remote for volume, input, mute, Direct and Record functions; physical power switch, no automatic standby.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 432 mm W × 82 mm H × 340 mm D, with depth including the speaker terminals; 12.5 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAn MM cartridge connects to the phono input. A low-output MC cartridge needs an appropriate external phono stage into a line input; a turntable already using a phono stage should also feed a line input unless that stage is bypassed. A streamer can connect through the Elicit's digital inputs or through its own DAC using RCA, so you do not have to give up a DAC you already enjoy.\u003c\/p\u003e\n\u003cp\u003eThe separate Record input is selected using the Solaris remote rather than the main front-panel input cycle. Record and Record Link outputs stay at a fixed level, while the preamp output provides a connection for a compatible external power amplifier or powered subwoofer. If headphones and a subwoofer will share the system, we will check how that combination mutes.\u003c\/p\u003e\n\u003cp\u003eThe Direct Input lets a properly configured AV processor or external stereo preamp use the Elicit's power amplifier. \u003cstrong\u003eDirect Input bypasses the Elicit's preamp and volume control.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eThere is no USB audio, HDMI ARC, Bluetooth or built-in network streaming. A TV with optical output can use the DAC when set to stereo PCM; the Elicit does not decode surround-sound formats.\u003c\/p\u003e\n\u003cp\u003eThis is a full-width, 12.5 kg amplifier, so check the shelf width and leave room for rear plugs beyond the stated depth. Its side heat sinks need airflow: allow at least 10 cm of ventilation space around the case and do not stack other components on top. \u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Default Title","offer_id":67843260907772,"sku":"AMP-ELICIT-MK5-USA","price":4699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image78_431dfecc-cf7f-4a28-9aeb-039d1963d5e6.jpg?v=1792702825"},{"product_id":"rega-fono-mc-mk4-phono-stage","title":"Rega Fono MC MK4 Phono Stage","description":null,"brand":"Rega","offers":[{"title":"Default Title","offer_id":67843261006076,"sku":"AMP-FONO-MC-MK4-USA","price":699.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-fono-mini-a2d-mk2-phono-stage","title":"Rega Fono Mini A2D MK2 Phono Stage","description":null,"brand":"Rega","offers":[{"title":"Default Title","offer_id":67843261071612,"sku":"AMP-FOA2D-V2-BLK-USA","price":299.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-mercury-pre-amplifier","title":"Rega Mercury Pre- Amplifier","description":null,"brand":"Rega","offers":[{"title":"Default Title","offer_id":67843261202684,"sku":"AMP-MERCURY-BLK-USA","price":13999.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-naia-turntable","title":"Rega Naia Turntable","description":"\u003cp\u003e\u003cstrong\u003eYou know the records. The question is how much of the performance your turntable still leaves behind.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNot more treble. Not heavier bass. The texture inside a bowed note, the breath before a vocal phrase, the room that gives a performance its sense of place. At this level, the reason to move forward is not to make your collection sound more impressive. It is to get closer to what makes it matter.\u003c\/p\u003e\n\u003ch3\u003eRega's Flagship, With a Clear Purpose\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe Naia brings research from the Naiad project into Rega's top production turntable.\u003c\/strong\u003e Graphene-impregnated carbon-fibre skins, ceramic bracing above and below the plinth, a matched ceramic spindle and bearing, the RB Titanium arm and triple Reference drive belts address the same challenge from different directions: supporting the cartridge while minimising the unwanted movement and vibration that can obscure its work.\u003c\/p\u003e\n\u003cp\u003eThis is the appeal of the Naia. The engineering is ambitious, but its purpose is not spectacle. It is to let the record, rather than the mechanism playing it, hold your attention.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eFollow the bass strings, not just the bass weight\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThe revealing detail is how a note starts, develops and stops.\u003c\/strong\u003e A well-recorded bass line has pitch, texture and phrasing, with the kick drum distinct alongside it. The Naia's matched zirconium-toughened alumina spindle and bearing work with the ceramic platter and triple-belt drive to support steady rotation. Listen beyond impact to the vibration of the string and the space between notes. That is a more useful test than bass weight alone.\u003c\/p\u003e\n\u003ch4\u003eHear the space without pulling the band apart\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eA convincing soundstage is a performance in a room, not a collection of isolated instruments.\u003c\/strong\u003e The graphene\/carbon-fibre skins and two ceramic braces stiffen the foam-core structure while keeping mass low, addressing structural vibration that can mask quiet recorded information. On a familiar live album, listen for the room behind the performers and the relationships between them, without losing the sense of musicians playing together.\u003c\/p\u003e\n\u003ch4\u003eFollow the singer from a whisper to a full voice\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eExpression lives in the transitions, not just the loudest moments.\u003c\/strong\u003e The RB Titanium combines a titanium vertical bearing housing and spindle with a polished aluminium arm tube and tungsten balance-weight assembly. Its closely fitted bearings are designed for free movement without unwanted play. With the optional Aphelion 2, a fine-line diamond and boron cantilever trace the groove. Listen for changes in phrasing, vocal texture and intensity, rather than mistaking a brighter presentation for greater insight.\u003c\/p\u003e\n\u003ch3\u003eMoving Beyond the Planar 10\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe case for the Naia is finer discrimination, not simply a bigger sound.\u003c\/strong\u003e The Planar 10 already sets a demanding standard. The Naia extends Rega's approach through its graphene-impregnated carbon-fibre structure, upper and lower ceramic braces, ceramic ZTA spindle and bearing, RB Titanium arm and three drive belts. For a listener moving up, the meaningful question is how clearly differences in tone, recorded space and expression come through.\u003c\/p\u003e\n\u003cp\u003eFor a useful comparison, keep the cartridge and phono stage consistent. A Planar 10\/Aphelion 2 and Naia\/Aphelion 2 audition lets the differences between the decks take centre stage, rather than changes elsewhere in the system.\u003c\/p\u003e\n\u003ch3\u003eWhat the Reviews Found\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eIndependent listening offers useful context for the Naia and Aphelion 2 package.\u003c\/strong\u003e Michael Fremer at The Absolute Sound described stable instrument placement, delicate string attacks and clear differences between recordings, praising quietness and speed stability. \u003c\/p\u003e\n\u003cp\u003eWhat Hi-Fi? highlighted natural instrumental texture, clear voices and a deep, well-organised spread of performers, including in dense orchestral music. Those observations reinforce the qualities worth listening for: not detail in isolation, but the texture and organisation of a complete performance.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWe recommend the Naia to the listener building a long-term analogue system around musical insight, not exaggerated effects.\u003c\/strong\u003e Its appeal is the opportunity to revisit a familiar collection for the phrasing, tonal differences and recorded space that make one performance unlike another. The engineering gives that ambition substance, rather than relying on flagship status to make the argument.\u003c\/p\u003e\n\u003cp\u003eThis is where we would focus an audition: the bass line you can follow through a dense passage, the singer whose expression changes within a phrase, and the room that remains audible behind the band. If those are the reasons you listen, the Naia deserves a place on your shortlist.\u003c\/p\u003e\n\u003ch3\u003eChoosing the Right Configuration\u003c\/h3\u003e\n\u003ch4\u003eAphelion 2 or your own cartridge\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThe factory-fitted Aphelion 2 package offers a defined starting point for system matching.\u003c\/strong\u003e Rega's low-output moving-coil cartridge uses a fine-line nude diamond and boron cantilever. Its nominal 0.35 mV output requires a suitable MC phono stage, with Rega specifying 100 Ω loading. The separate reference supply powers the turntable motor; it is not a phono stage, and a phono stage is not included.\u003c\/p\u003e\n\u003cp\u003eThe no-cartridge option makes sense if you already own a cartridge you want to retain. We can discuss its height, mounting, loading and suitability for the arm before recommending that combination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFine bass-note pitch and texture remain easier to follow\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMatched ZTA ceramic spindle and bearing, ceramic platter and triple Reference drive belts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eQuieter room ambience is less obscured by structural vibration\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eGraphene-impregnated carbon-fibre\/Tancast 8 plinth with ceramic upper and lower braces\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSmall changes in a voice remain easier to hear\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRB Titanium bearing assembly and the Aphelion 2 option's fine-line diamond and boron cantilever\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eHeld notes keep a steady pitch\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eIndividually matched 24 V motor and reference supply with crystal-controlled DSP drive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eInstruments occupy clear positions without becoming disconnected\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRigid arm-to-bearing structure with low-mass construction and precision-matched assemblies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlinth and braces:\u003c\/strong\u003e Graphene-impregnated carbon-fibre skins over a Tancast 8 foam core, with ceramic aluminium-oxide braces above and below.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e RB Titanium with titanium vertical bearing housing and spindle, hand-polished aluminium arm tube, tungsten balance-weight shaft and weight.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMain bearing:\u003c\/strong\u003e Matched zirconium-toughened alumina spindle and central bearing with a custom machined aluminium sub-platter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlatter, drive and operation:\u003c\/strong\u003e Resonance-controlled ceramic platter, three Reference drive belts and 24 V motor with dedicated reference supply; electronic 33⅓\/45 rpm selection and fine speed adjustment, manual arm operation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge options:\u003c\/strong\u003e No cartridge or factory-fitted Aphelion 2 MC. Aphelion 2 has a boron cantilever, fine-line nude diamond, 0.35 mV output, 100 Ω recommended loading and 1.9 g tracking force.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeck finish, size and weight:\u003c\/strong\u003e Carbon-fibre finish; 420 mm W × 115 mm H × 350 mm D with dustcover fitted; 4.65 kg including cover.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeparate reference supply:\u003c\/strong\u003e 218 mm W × 80 mm H × 320 mm D; 3 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGive the Naia a rigid, level support and room for its separate reference supply.\u003c\/strong\u003e Plan a safe place for the lift-off cover, keep speaker vibration and footfall out of the support, and position the supply away from the cartridge and phono stage to help avoid hum. Proper placement remains part of the system, even with Rega's top turntable.\u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eA purchase at this level deserves a recommendation built around your system.\u003c\/strong\u003e We work with clients across Canada to discuss cartridge choice, phono-stage matching and support alongside their listening priorities. The goal is not simply to own Rega's flagship. It is to build an analogue system that gives you a compelling reason to keep playing records.\u003c\/p\u003e\n\u003ch3\u003eExperience It For Yourself\u003c\/h3\u003e\n\u003cp\u003eIf you would rather trust your ears than take our word for it, we would expect nothing less. Visit us at 5910 Malden Road, LaSalle, Ontario or call 519.979.7101 to reserve your private listening session. Come in skeptical. Leave certain.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"No Cartridge","offer_id":67843261432060,"sku":"TT-NAIA-BLK-USA","price":19999.0,"currency_code":"CAD","in_stock":true},{"title":"Aphelion 2","offer_id":67843261464828,"sku":"TT-NAIA-APHEL2-USA","price":25999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image69_10b481e1-df4d-45f1-8c79-cb8a441e0f31.jpg?v=1792776413"},{"product_id":"rega-osiris-reference-integrated-amplifier","title":"Rega Osiris Reference Integrated Amplifier","description":null,"brand":"Rega","offers":[{"title":"Default Title","offer_id":67843262284028,"sku":"AMP-OSIRIS-BLK-USA","price":16999.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-planar-1-plus-package-with-fono-mini-a2d","title":"Rega Planar 1 PLUS Package with Fono Mini A2D","description":null,"brand":"Rega","offers":[{"title":"Matt Black","offer_id":67843262349564,"sku":"TT-PL1-BLK-MATT-USA+FOA2D","price":899.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White","offer_id":67843262382332,"sku":"TT-PL1-WHT-MATT-USA+FOA2D","price":899.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut","offer_id":67843262415100,"sku":"TT-PL1-WAL-USA+FOA2D","price":899.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-planar-1-turntable-with-carbon-cartridge","title":"Rega Planar 1 Turntable with Carbon Cartridge","description":null,"brand":"Rega","offers":[{"title":"Matt Black","offer_id":67843262513404,"sku":"TT-PL1-BLK-MATT-USA","price":699.0,"currency_code":"CAD","in_stock":true},{"title":"Matt White","offer_id":67843262546172,"sku":"TT-PL1-WHT-MATT-USA","price":699.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut","offer_id":67843262578940,"sku":"TT-PL1-WALNUT-USA","price":699.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"rega-planar-10-turntable","title":"Rega Planar 10 Turntable","description":"\u003cp\u003eHear the piano’s weight, the drummer’s touch, and the space around each instrument.\u003c\/p\u003e\n\u003ch3\u003eMore music, not just more detail\u003c\/h3\u003e\n\u003cp\u003eWhen the music gets louder, you should hear more than a bigger sound. The body of a piano, the rasp of a bow and the decay after a chord should remain distinct, not disappear into the performance.\u003c\/p\u003e\n\u003cp\u003eThe Rega Planar 10 is for the listener who wants to follow those details without losing the shape and momentum of the music. If you’re coming from a Planar 8, the question is not simply whether instruments sound more clearly separated. It is whether they sound more complete.\u003c\/p\u003e\n\u003ch3\u003eA different deck, not simply a better cartridge\u003c\/h3\u003e\n\u003cp\u003eThe Planar 10 pairs the RB3000 tonearm with a ceramic platter, a revised central bearing and a dedicated P10 power supply. A ceramic upper brace stiffens the connection between the arm and platter bearing, while the lightweight plinth avoids the mass that can store unwanted energy.\u003c\/p\u003e\n\u003cp\u003eThese are changes to the platform reading the record, not just the cartridge attached to it. Moving from a P8’s RB880 arm and layered-glass platter to the P10 changes the deck itself.\u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won’t Tell You\u003c\/h3\u003e\n\u003ch4\u003eHear the instrument as the note fades\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eThe first strike tells you only part of the story.\u003c\/strong\u003e Play a familiar piano or acoustic-guitar recording and listen to what follows the hammer or pick: the resonance of the instrument, the sustain and the gradual decay into the room.\u003c\/p\u003e\n\u003cp\u003eThe RB3000’s precision bearings and low-joint construction are designed to let the stylus follow small groove movements without unwanted play in the arm. Listen for a more complete note, not simply a sharper attack.\u003c\/p\u003e\n\u003ch4\u003eFollow the bass line and the drummer separately\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eRhythm depends on hearing where each note starts and stops.\u003c\/strong\u003e Listen for the pitch and finish of a bass note while the kick drum remains distinct alongside it.\u003c\/p\u003e\n\u003cp\u003eThe ceramic platter concentrates mass towards its outer edge to help maintain steady rotation. It works with the machined sub-platter, twin Reference EBLT belts and individually matched motor supply. A sustained piano note is another useful test: its pitch should hold steady rather than wander.\u003c\/p\u003e\n\u003ch4\u003eKeep the quietest instruments distinct, even as the full orchestra swells\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eScale should not come at the expense of quieter detail.\u003c\/strong\u003e On a well-recorded orchestral passage, follow the percussion, the strings and the reverberation of the hall as the brass enters.\u003c\/p\u003e\n\u003cp\u003eThe ceramic upper brace and phenolic lower brace create a rigid connection between the arm and platter bearing without a heavy plinth. The structure is designed to limit stored vibration that can obscure small recorded details, rather than make them stand out through added brightness.\u003c\/p\u003e\n\u003ch3\u003eChoose the Cartridge Around Your System\u003c\/h3\u003e\n\u003cp\u003eThe factory-fitted Apheta 3 uses a fine-line nude diamond on an aluminium cantilever. The Aphelion 2 uses a boron cantilever and a more elaborate micro-coil assembly. Both have a nominal output of 0.35 mV. The reason to compare them is their construction and performance, not a difference in output voltage.\u003c\/p\u003e\n\u003cp\u003eWe would first compare P8\/Apheta 3 with P10\/Apheta 3 through the same phono stage. That lets you hear what the deck and arm contribute before changing the cartridge as well.\u003c\/p\u003e\n\u003cp\u003eIf you already own a cartridge, the no-cartridge version may make sense. We’ll check mounting, height and phono-stage compatibility before recommending the fit.\u003c\/p\u003e\n\u003cp\u003eEither factory cartridge requires an appropriate moving-coil phono stage, with Rega specifying a 100 Ω load. A phono stage is not included. The P10 power supply runs the motor; it does not amplify the cartridge signal.\u003c\/p\u003e\n\u003ch3\u003eWhat Reviewers Heard with Apheta 3\u003c\/h3\u003e\n\u003cp\u003eStephen Scharf at The Absolute Sound described a quiet background, convincing instrumental tone and clear placement of performers from the Planar 10\/Apheta 3 combination. During large orchestral passages, he could still follow percussion texture as the strings and brass grew louder.\u003c\/p\u003e\n\u003cp\u003eWhat Hi-Fi? also praised the Apheta 3 package for clear voices, firm bass, precise rhythm and stable placement of instruments in demanding music. Its assessment did not suggest an especially warm or softened presentation. This is not the package to choose simply to make every record sound richer.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eThe Planar 10 makes sense when you want more than clearly outlined instruments. You want their body, texture and decay to remain convincing as the recording becomes more demanding.\u003c\/p\u003e\n\u003cp\u003eOur priority would be a balanced system, not the most expensive cartridge option. Get the support, phono stage and setup right, then judge what Aphelion 2 adds. The right combination should make the performance easier to follow, not leave you searching for differences to justify the purchase.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMore of the note continuing after a string is plucked\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRB3000 arm with closely matched bearings, minimal mechanical joints and a hand-polished aluminium tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass notes and held piano tones keep a steady pitch\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eCeramic flywheel-effect platter, twin Reference EBLT belts and custom-matched P10 motor supply\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eQuiet recorded details are less obscured by the deck's vibration\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eCeramic upper brace, phenolic lower brace and lightweight Tancast 8\/HPL plinth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eVoices and instruments remain easier to place as the music gets busy\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRigid arm-to-bearing structure and redesigned central bearing assembly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFiner groove tracing with either factory MC option\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFine-line nude diamond on Apheta 3's aluminium cantilever or Aphelion 2's boron cantilever\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e Hand-assembled RB3000 with hand-polished aluminium tube, precision-matched bearings and RCA phono connection.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlinth and bracing:\u003c\/strong\u003e Skeletal Tancast 8\/HPL construction, ceramic upper brace and phenolic lower brace.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlatter and bearing:\u003c\/strong\u003e Diamond-cut ceramic-oxide platter, machined aluminium sub-platter and hardened steel spindle in a custom brass housing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotor and speeds:\u003c\/strong\u003e 24 V AC motor, twin Reference EBLT belts and custom-matched P10 PSU. Electronic 33⅓\/45 rpm selection and fine speed adjustment, with manual arm operation.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory cartridges:\u003c\/strong\u003e Apheta 3 or Aphelion 2, both 0.35 mV low-output MC with 100 Ω recommended loading. Apheta 3 tracking force: 1.9–2.0 g. Aphelion 2: 1.9 g. No-cartridge option available.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matt Polaris Grey, listed as Black, or Matt White. Removable lift-off cover.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeck dimensions and weight:\u003c\/strong\u003e 420 mm W × 115 mm H × 350 mm D with cover fitted; 4.7 kg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSeparate P10 PSU:\u003c\/strong\u003e 218 mm W × 80 mm H × 320 mm D; 3 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGive the deck a rigid, level support away from the speakers. Allow separate space for the P10 supply and somewhere safe for the lift-off cover during playback. Keep the supply away from the cartridge and phono stage to reduce the chance of hum.\u003c\/p\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eWe’ll help you decide where the Planar 10 belongs in your system, which cartridge makes sense and whether your phono stage is ready for it. We work with clients across Canada on those decisions, with the whole system in mind.\u003c\/p\u003e\n\u003ch3\u003eExperience It For Yourself\u003c\/h3\u003e\n\u003cp\u003eIf you would rather trust your ears than take our word for it, we would expect nothing less. Visit us at 5910 Malden Road, LaSalle, Ontario or call 519.979.7101 to reserve your private listening session. Come in skeptical. Leave certain.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Black \/ No Cartridge","offer_id":67843262742780,"sku":"TT-PL10-BLK-USA","price":8999.0,"currency_code":"CAD","in_stock":true},{"title":"White \/ No Cartridge","offer_id":67843262775548,"sku":"TT-PL10-WHT-USA","price":8999.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ Apheta 3","offer_id":67843262808316,"sku":"TT-PL10-APHETA 3-USA","price":10999.0,"currency_code":"CAD","in_stock":true},{"title":"White \/ Apheta 3","offer_id":67843262841084,"sku":"TT-PL10-APHET3-W-USA","price":10999.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ Aphelion 2","offer_id":67843262873852,"sku":"TT-PL10-APHELI 2-USA","price":14999.0,"currency_code":"CAD","in_stock":true},{"title":"White \/ Aphelion 2","offer_id":67843262906620,"sku":"TT-PL10-APHEL2-W-USA","price":14999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image56_0e35c1f9-a343-4f71-97c3-2af8e494831a.jpg?v=1792692129"},{"product_id":"rega-planar-2-turntable-with-nd3-cartridge","title":"Rega Planar 2 Turntable with Nd3 Cartridge","description":"\u003cp\u003ePut on a record and hear a clear voice, a firm bass line and drums that keep the song moving.\u003c\/p\u003e\n\u003ch3\u003eA simple turntable should still sound good\u003c\/h3\u003e\n\u003cp\u003eYou want a record player that is straightforward to live with, but not one that leaves the music sounding flat. Bass should have some weight, and you should hear the singer clearly when the band comes in. The other question is what you need to connect it to the system you already own.\u003c\/p\u003e\n\u003ch3\u003eThe better cartridge is already fitted\u003c\/h3\u003e\n\u003cp\u003eWe chose the Rega Planar 2 with Nd3 because its glass platter, RB220 arm and upgraded cartridge put the money into how your records sound. \u003c\/p\u003e\n\u003cp\u003eThe Nd3 is a moving-magnet cartridge, and the P2 has no built-in phono stage. Connect it to a suitable MM phono input on your amplifier, or use an external MM phono stage before a line input. An input labelled AUX or CD alone does not provide the amplification a cartridge needs.\u003c\/p\u003e\n\u003cp\u003eThe cartridge is already fitted and aligned, but the arm still needs balancing and setting to the Nd3's 1.75 g tracking force. \u003c\/p\u003e\n\u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e\n\u003ch4\u003eHear the singer without losing the bass line\u003c\/h4\u003e\n\u003cp\u003eOn a record you know well, listen for the pitch of the bass notes and the tone of the singer's voice. The Nd3's bonded elliptical stylus follows the groove, while the RB220's low-friction bearings let the arm move freely. That helps keep the bass line distinct from the singer above it.\u003c\/p\u003e\n\u003ch4\u003eGive it a shelf that doesn't shake\u003c\/h4\u003e\n\u003cp\u003eCheck the shelf against the P2's 447 mm width and 360 mm depth, then allow room for the rear cables and the lid to open. Keep the speakers on separate stands or furniture rather than on the same surface as the turntable. If footsteps make that surface move, a suitable wall bracket may help more than a heavier cabinet.\u003c\/p\u003e\n\u003ch4\u003eKnow what happens between records\u003c\/h4\u003e\n\u003cp\u003eThe motor switch is under the plinth, and you lower and lift the arm yourself. To change between 33⅓ and 45 rpm, remove the glass platter and move the belt to the other step on the pulley. If you often alternate LPs and singles, make sure that suits how you like to listen.\u003c\/p\u003e\n\u003ch3\u003eWhat the Nd3 package review found\u003c\/h3\u003e\n\u003cp\u003eWhat Hi-Fi? tested the P2\/Nd3 and found clear detail in voices, with bass and drums that stayed easy to follow. In its test system, voices could sound a little restrained; the review also noted that changing speed means moving the belt.\u003c\/p\u003e\n\u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e\n\u003cp\u003eThe P2\/Nd3 is the package we would look at when you want a good turntable and cartridge together, without stretching the budget to a P3. If your amplifier already has a suitable MM input, you have the phono connection covered; if not, allow for an external stage. We would make sure the shelf is right and that you're comfortable with manual speed changes before you commit. If the P3 is within reach, compare both with Nd3 fitted so you can hear what its RB330 arm, bracing and thicker platter add.\u003c\/p\u003e\n\u003ch3\u003eTech You Can Hear\u003c\/h3\u003e\n\u003ctable style=\"width: 100%; max-width: 100%; table-layout: fixed; border-collapse: collapse; white-space: normal;\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e\n\u003cth scope=\"col\" style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eMore detail in a singer's voice\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eFactory-fitted Nd3 moving-magnet cartridge with a bonded elliptical stylus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eBass notes and quieter instruments stay easier to follow\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eRB220 arm with low-friction precision bearings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eSustained notes keep a steady pitch\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003e24 V motor, Advanced EBLT belt and 10 mm glass platter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003ePlay both 33⅓ and 45 rpm records\u003c\/td\u003e\n\u003ctd style=\"width: 50%; padding: 10px 8px; text-align: left; vertical-align: top; white-space: normal; overflow-wrap: anywhere; word-break: normal; border-bottom: 1px solid #dedede;\"\u003eTwo-step pulley with manual belt repositioning\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eTechnical Highlights\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive and speeds:\u003c\/strong\u003e Fully manual belt drive; 33⅓ and 45 rpm, with manual belt repositioning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTonearm:\u003c\/strong\u003e Hand-assembled Rega RB220 with adjustable bias and RCA phono leads.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge:\u003c\/strong\u003e Factory-fitted Nd3 MM, bonded elliptical stylus, 5–6 mV nominal output and 1.75 g recommended tracking force.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotor and belt:\u003c\/strong\u003e 24 V low-noise motor with Advanced EBLT drive belt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlatter:\u003c\/strong\u003e 10 mm Opti-White float-glass platter.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFinishes and covers:\u003c\/strong\u003e Gloss Black or Gloss White with clear cover; Walnut Effect with smoked cover.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize and weight:\u003c\/strong\u003e 447 mm W × 117 mm H × 360 mm D with the lid closed; 5.5 kg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e\n\u003cp\u003eAudio Two ships across Canada. If you don't have access to a proper high-end dealer in your city, this is your way in: real expertise from people who've heard the system, matched the electronics, and can guide you through a decision this size.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Gloss Black","offer_id":67843263332604,"sku":"TT-PL2-ND3-BLK-USA","price":999.0,"currency_code":"CAD","in_stock":true},{"title":"Gloss Walnut","offer_id":67843263365372,"sku":"TT-PL2-ND3-WAL-USA","price":999.0,"currency_code":"CAD","in_stock":true},{"title":"Gloss White","offer_id":67843263398140,"sku":"TT-PL2-ND3-WHT-USA","price":999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image50_435499c3-f1d1-4ce6-80c8-fd52d3da7f56.jpg?v=1792687651"},{"product_id":"rega-planar-6-rs-turntable","title":"Rega Planar 6 RS Turntable","description":"\u003cp\u003eHear the room around the musicians, the texture of a singer's voice and the full weight of the band.\u003c\/p\u003e \u003ch3\u003eWhat should you hear beyond the standard P6?\u003c\/h3\u003e \u003cp\u003eIt isn't just a change in the amount of bass or treble. You want to hear the small changes in a singer's voice, the way an instrument fades into the room and the individual players staying clear when the music gets loud.\u003c\/p\u003e \u003ch3\u003eA better arm and drive system, with more to hear from the groove\u003c\/h3\u003e \u003cp\u003eWe chose the Rega Planar 6 RS for the extra detail and expression it is designed to bring out of a record. The RB880 arm comes from the P8, and the RS adds twin Reference EBLT belts and an aluminium skin over its foam-core plinth. With a good recording, listen for the body of an acoustic guitar as well as the pluck of the string, and the sound of the room around the singer.\u003c\/p\u003e \u003cp\u003eThe standard P6 already includes a matched Neo supply and a dual-layer glass platter. The RS changes the arm, drive and plinth construction, as well as the cartridge choices; it is not simply a standard P6 with a different cartridge.\u003c\/p\u003e \u003cp\u003eNd9 is Rega's top moving-magnet cartridge, with a fine-line nude diamond and a light, rigid boron cantilever. It is the option we would compare first if you want finer vocal and instrumental detail while keeping a capable MM phono stage. A phono stage is not included in the Nd9 package.\u003c\/p\u003e \u003cp\u003eThe MC bundle uses the original low-output Ania, not Ania Pro, and includes a separate Fono MC stage. Listen to that complete combination against Nd9 through a good MM stage; the MC label alone doesn't tell you which will sound better in your system.\u003c\/p\u003e \u003cp\u003eNd9 needs an MM phono input or separate MM stage. With Ania, connect the turntable to the Fono MC and its output to an amplifier's line input, not another phono input. The Neo supplied with both packages powers the motor and controls speed; it does not provide phono amplification.\u003c\/p\u003e \u003ch3\u003eWhat the Specs Won't Tell You\u003c\/h3\u003e \u003ch4\u003eHear the space behind the singer\u003c\/h4\u003e \u003cp\u003eWith a well-recorded live album, listen for the distance between the singer and the players behind them, and for the sound of the venue. The RB880 uses the more rigid bearing assembly found on the P8, with closely matched bearings that let the arm move freely. The arm and braced plinth are designed to reduce unwanted movement and vibration that can obscure the quieter sound of the room in the recording.\u003c\/p\u003e \u003ch4\u003eKeep the weight and shape of a bass note\u003c\/h4\u003e \u003cp\u003eListen to the bass player's run of notes, not just the amount of bass in the room. You want the pitch, weight and end of each note to stay clear, with the kick drum distinct alongside it. The twin Reference EBLT belts, machined sub-platter and dual-layer glass platter work with the matched motor and Neo to keep the record turning steadily. That speed control also matters on held piano and guitar notes, where wavering pitch is easier to notice.\u003c\/p\u003e \u003ch4\u003eHear the small changes in a voice\u003c\/h4\u003e \u003cp\u003eOn a familiar vocal record, listen to how the singer's voice changes as they sing softly, then put more force into it. Nd9's fine-line nude diamond and boron cantilever are designed to follow small groove movements accurately with a light, rigid assembly. The point is more of the tone and expression of the voice, not simply a brighter sound.\u003c\/p\u003e \u003ch3\u003eWhat the Nd9 package reviews found\u003c\/h3\u003e \u003cp\u003eWhat Hi-Fi? compared the RS\/Nd9 with the standard P6\/Nd7 and heard more precise instrument placement and more impact as the music changed from quiet to loud. With Nirvana's MTV Unplugged, it found more of the recording room and more expression in Kurt Cobain's voice. The cartridges differed too, so the comparison shows what changed between the full packages, not the arm alone.\u003c\/p\u003e \u003cp\u003eEd Selley at hi-fi+ heard the Nd9 package spread instruments across a wider space while keeping a clear centre. He also heard the drive and physical weight of bass in electronic music, without losing the quieter details.\u003c\/p\u003e \u003ch3\u003eThe Audio Two Verdict\u003c\/h3\u003e \u003cp\u003eThe RS makes sense when your amplifier, speakers and phono stage are already good enough to show small changes in a voice, the space around the players and the impact of the band. With a capable MM stage, we would start with Nd9 rather than assume an MC cartridge must be the next step. If you also need a phono stage, compare the Ania\/Fono MC bundle as a complete alternative. If the P8 is within reach, compare RS\/Nd9 with P8\/Nd9 to hear what the deck changes while the arm and cartridge stay the same. Keep each turntable on its own matched Neo supply during that comparison.\u003c\/p\u003e \u003ch3\u003eTech You Can Hear\u003c\/h3\u003e \u003ctable style=\"width:100%;max-width:100%;table-layout:fixed;border-collapse:collapse;white-space:normal;\"\u003e \u003cthead\u003e \u003ctr\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhat You Hear\u003c\/th\u003e \u003cth scope=\"col\" style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eWhy It Happens\u003c\/th\u003e \u003c\/tr\u003e \u003c\/thead\u003e \u003ctbody\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eVoices and instruments are easier to place\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eRB880 tonearm with a rigid, precision-matched bearing assembly\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eQuieter recorded ambience is less obscured by the deck's vibration\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eAluminium-skinned Tancast 8 plinth, double bracing and hand-tuned motor\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eSustained notes hold their pitch and bass lines remain distinct\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eMatched motor and Neo Mk2, twin Reference EBLT belts and dual-layer glass platter\u003c\/td\u003e \u003c\/tr\u003e \u003ctr\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eFiner texture in voices and acoustic instruments\u003c\/td\u003e \u003ctd style=\"width:50%;padding:10px 8px;text-align:left;vertical-align:top;white-space:normal;overflow-wrap:anywhere;word-break:normal;border-bottom:1px solid #dedede;\"\u003eNd9 MM option with a fine-line nude diamond and boron cantilever\u003c\/td\u003e \u003c\/tr\u003e \u003c\/tbody\u003e \u003c\/table\u003e \u003ch3\u003eTechnical Highlights\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eTonearm and connection:\u003c\/strong\u003e Hand-assembled RB880 with stainless-steel balance weight, low-capacitance phono cable and RCA plugs.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eConstruction:\u003c\/strong\u003e Tancast 8 foam-core plinth with HPL skins, brushed aluminium outer skin and matching edging, plus double bracing.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePlatter and sub-platter:\u003c\/strong\u003e 16 mm dual-layer Opti-White float-glass platter over a machined aluminium sub-platter.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eMotor and drive:\u003c\/strong\u003e Hand-tuned 24 V AC motor, CNC twin pulley and two Reference EBLT drive belts.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSpeeds and operation:\u003c\/strong\u003e Included custom-matched Neo Mk2, electronic 33⅓\/45 rpm selection and 0.01 rpm speed adjustment; manual arm operation.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eCartridge packages:\u003c\/strong\u003e Nd9 MM: 5–6 mV output and 1.75 g tracking force. Ania MC: 0.35 mV output, 1.75–2.0 g tracking range and 100 Ω recommended load, with Fono MC included in the MC package.\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFinish, cover and size:\u003c\/strong\u003e Brushed metallic finish with hinged smoked cover; deck measures 447 mm W × 117 mm H × 360 mm D with the lid closed, 5.4 kg. Separate Neo measures 180 mm W × 50 mm H × 150 mm D.\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eFor setup, give the deck a rigid, level support away from the speakers and leave clearance above the hinged lid. Allow room for the Neo, and the Fono MC if you choose that package; keep the Neo as far from the cartridge as its cable allows to reduce the chance of hum.\u003c\/p\u003e \u003ch3\u003eWhy Choose Audio Two\u003c\/h3\u003e \u003cp\u003eAudio Two ships across Canada. That said, a system at this level is worth a conversation before you commit: we can make sure it's the right fit for your room, your source, and how you actually listen. Reach out and we'll help you get it right.\u003c\/p\u003e","brand":"Rega","offers":[{"title":"Brushed Metal with Ania Cartridge and Fono MC","offer_id":67843263529212,"sku":"TT-PL6-RS-MCFONO-USA","price":3999.0,"currency_code":"CAD","in_stock":true},{"title":"Brushed Metal with Nd9 Cartridge","offer_id":67843263561980,"sku":"TT-PL6-RS-ND9-USA","price":3999.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0572\/7597\/3809\/files\/Image53.jpg?v=1792688130"},{"product_id":"rega-replay-turntable-with-carbon-cartridge","title":"Rega Replay Turntable with Carbon Cartridge","description":null,"brand":"Rega","offers":[{"title":"Black","offer_id":67843264282876,"sku":"TT-REPLAY-BLK-USA","price":549.0,"currency_code":"CAD","in_stock":true}]}],"url":"https:\/\/audiotwo.com\/collections\/rega.oembed?page=2","provider":"Audio Two","version":"1.0","type":"link"}